News

Rare Armenian Manuscripts to be Restored through Bank of America Art Conservation Project Grant

(Left to right): Kerry Miles, Art and Heritage Project Manager at Bank of America; Maryann Ekberg, Managing Director, Bank of America Private Bank; Jason Sohigian, Executive Director, The Armenian Museum of America; and Michele M. Kolligian, President, The Armenian Museum of America.

As part of its Art Conservation Project, Bank of America provided a grant to the Armenian Museum of America of Watertown, Mass., to restore 21 illuminated manuscripts from its collection, one of which dates back to the 13th century, the museum announced today. Bank of America selected the Armenian Museum of America as one of the 23 cultural institutions that have been named recipients of the 2023 Bank of America Art Conservation Project, a program that provides grants to nonprofit cultural institutions to conserve important works of art.

This year's recipients represent a diverse range of artistic styles, media, and cultural traditions across China, Colombia, France, Lebanon, Mexico, Singapore, South Africa, Sweden, the U.K. and the U.S.

The Armenian Museum of America has the largest collection of Armenian artifacts in the United States. Among them is an extremely rare collection of 21 handwritten and hand-illuminated manuscripts, of which approximately 10 are on display in the museum's galleries at any given time. One example is a small hymnal, or sharaknots in Armenian, which contains hymns to be chanted and performed on feast days. Attributed to the prolific artist Karapet of Berkri, the illumination depicts the Presentation of Christ in the Temple.

Since 2010, Bank of America's Art Conservation Project has supported the preservation of paintings, sculptures, and archeological and architectural pieces of critical importance to cultural heritage and the history of art. More than 237 projects across 40 countries managed by nonprofit cultural institutions received funding to conserve historically or culturally significant works of art that are in danger of deterioration.

"We are incredibly grateful to Bank of America for providing us with this leadership grant so our manuscripts will be preserved so that they can be viewed by the public and studied in perpetuity without risk of further damage. This partnership will allow visitors to view the art and culture of the past, and to see it in the context of the present in our galleries," said Jason Sohigian, executive director of the Armenian Museum.

"By the medieval period, Armenians had a rich literary society. Since then, many manuscripts and illuminations have been looted or destroyed, a process that intensified during the Armenian Genocide of 1915. Preservation has taken on a renewed importance, as Armenia's cultural heritage remains at risk," he added.

"The Armenian Museum of America is an indispensable resource for the preservation of the rich heritage of the Armenian people. The conservation of these artifacts enriches the community and allows people of all backgrounds to appreciate how the inspirational story of the Armenian people fits into the history of America," said Miceal Chamberlain, President, Bank of America Massachusetts.

The conservation of these rare books will be completed by experts from the Mesrop Mashtots Institute of Ancient Manuscripts in Yerevan, which is the largest and most significant Armenian library and archive in the world. The manuscripts require restoration and preservation due to worn edges, light damage, and dust.

The Art Conservation Project is one demonstration of BofA's commitment to promoting cultural sustainability and making the arts more accessible and inclusive in communities.

This video highlights Bank of America's Art Conservation Project, which recently provided a grant to the Armenian Museum of America in Watertown, MA to restore 21 illuminated manuscripts from our collection. We are doing this work in collaboration with experts from the Մատենադարան - Matenadaran.

The work began on site last month with Gayane Eliazyan, head of the Matenadaran's Restoration Department, senior restorer Susanna Barseghyan, and researcher/chief depositor David Ghazaryan. Bank of America selected the Armenian Museum of America as one of the 23 cultural institutions that have been named recipients of the 2023 Bank of America Art Conservation Project, a program that provides grants to nonprofit cultural institutions to conserve important works of art.

Photography and Installation Explore Issues of Dislocation and Cultural Identity

displaced #36, On Arax St., Nor Marash, 2018

The Armenian Museum of America (AMofA) recently announced the opening of its next contemporary art exhibition, “Ara Oshagan: Disrupted, Borders.” The show follows the AMofA’s blockbuster exhibit, “On the Edge: Los Angeles Art 1970s-1990s from the Joan and Jack Quinn Family Collection,” which received rave reviews and was viewed by thousands of visitors.

“Disrupted, Borders” at AMofA is an expanded version of what was previously exhibited at Stockton University Art Gallery in New Jersey, and the show is being curated by Ryann Casey. “This exhibition connects many of the diasporic and homeland entanglements that have occupied me over the past decade or more, from Los Angeles to Beirut to Artsakh,” states Oshagan. “The works articulate a certain ‘diasporic liberation,’ as so well stated by Hyperallergic editor Hrag Vartanian in his introductory essay about the exhibit.”

The exhibition combines photography, collage, installation, and film, the last of which runs in the AMofA’s Rose and Gregory A. Kolligian Media Room. “The installation at Stockton was quite impressive in person and we knew this was something we wanted to bring to our Adele and Haig Der Manuelian Galleries,” says Executive Director Jason Sohigian. “Ara’s photography is from the diaspora in Los Angeles and Beirut, as well as Armenia and Artsakh so it connects many historical elements with contemporary issues facing Armenians today.”

More than 55 works are on display including a massive mural from Oshagan’s Beirut Memory Project, as well as six large medieval manuscripts printed on fabric and overlain with photographs of people from Shushi, Artsakh. Eighteen Armenian Hmayil prayer scrolls are also reproduced for an installation in the middle of the gallery space. The scrolls are created from the digitized collections of the Library of Congress and other institutions, and they are modified with “interventions” from Oshagan that reflect on travel, family, culture, and politics.

“Visitors will notice that some of the gallery walls are painted red. This color choice was intentional, and it is actually the color of the dye made by the Cochineal insect that is indigenous to the Ararat plain and Arax River Valley,” explains Sohigian. “Vordan Karmir is a familiar color in Armenian rugs, and Oshagan selected it with the curator to accent the exhibit. It adds another layer of meaning to the issues that Ara brings to this show around Armenian identity and culture.”

The mural and manuscript portraits on fabric, which are part of Oshagan’s Shushi series, are some of the largest works that have ever been exhibited in the AMofA galleries. “Ara’s innovative style allowed us to bring these larger-than-life images into the space so this installation offers many surprises from color to scale to medium, and a mix of time and place that will resonate with visitors,” adds Sohigian.

“Oshagan manages to seamlessly weave together different geographies, historical sources, and a range of mediums to consider the impact of dislocation on our personal and collective history,” explains the Curator Ryann Casey. “Bringing the past to the present, Oshagan asks us to reflect on our connections to place and community while highlighting the importance of memory on our shared future.”

Ara Oshagan is a multi-disciplinary artist, curator, and cultural worker whose practice explores collective and personal histories of dispossession, legacies of violence, and identity. He works in photography, film, collage, installation, book art, public art, and monument-making. Oshagan has published three books of photographs, is currently an artist-in-residence at 18th Street Art Center in Santa Monica, and a curator at ReflectSpace Gallery in Glendale.

Curator Ryann Casey is a New Jersey based artist and educator. She is an adjunct Professor of Photography, Art History and Critical Theory at Stockton University, and her current photographic and curatorial projects focus on themes of loss, trauma, and memory.

This exhibition has been generously sponsored by Michele M. Kolligian in memory of Haig Der Manuelian for his dedication and foresight in sharing Armenia’s rich history and culture with the world, including an impressive collection of Armenian Manuscripts that he gifted to the Armenian Museum.

“Disrupted, Borders” will be exhibited in the AMofA’s third floor contemporary galleries through October 29, 2023.

Become a Member of the Armenian Museum of America

This summer we hosted a book launch and conversation between New York Times bestselling author Chris Bohjalian and Pulitzer Prize-winning journalist Stephen Kurkjian

Dear Friend,

There is no better time to be a Member of the Armenian Museum of America. Our exhibitions and programming, both online and in-person, have taken the Museum to new heights. We hope this is a source of pride for you as much as it is for us. A few examples:

  • A book launch for New York Times best-selling author Chris Bohjalian

  • Online programming including concerts and videos with our Curator

  • Iconic portraits by Yousuf Karsh, a captivating visual narrative of the Armenian Genocide, and so much more

Harvard magazine recognized its importance in a recent feature-length article: “The Armenian Museum is a powerful experience for visitors. It’s a testament not only to the layered ancient world, but to a peoples’ resilient drive to survive and flourish.”

We have now opened our largest contemporary exhibit in 50 years, On the Edge: Los Angeles Art 1970s–1990s from the Joan and Jack Quinn Family Collection, which features more than 75 works by leading artists such as John Altoon, Jean-Michel Basquiat, Charles Garabedian, Frank Gehry, David Hockney, and Ed Ruscha.

WBUR called the show one of the top five things to do in Boston! We had a wonderful review in the Boston Globe by Pulitzer Prize-winning arts writer and critic Mark Feeney, and it has been covered by WGBH’s Emmy award-winning arts editor Jared Bowen.

The Armenian Museum of America is an influential national organization with members in 37 states! We have one of the largest collections of Armenian artifacts in the Diaspora and we host visitors every week from all over the country and all over the world in our three floors of gallery space.

Our Mission is more important now than ever, especially as Armenians are facing ethnic cleansing and cultural erasure in Artsakh. This is YOUR museum, so please respond with your membership commitment today.

Respectfully yours,

Jason Sohigian
Executive Director

Creativity, Culture and Survival: Museum Reflects Ancient Civilization and Modern Global Diaspora

By Nell Porter Brown

Harvard Magazine
January 2022

In 1207 an elderly scribe in the Armenian kingdom of Cilicia completed the Garabed Gospel. Although blinded by the 11-year undertaking, he completed the 250 inked, goat-skin pages at a monastery near what is now southern Turkey. For the next 700 years, the manuscript was passed down through that family lineage of priests, serving as a sacred object, according to the Armenian Museum of America where the volume is now on display. “If one became sick, one would ask the family for ‘the blessing of the book’ to cure their disease,” a plaque explains. 

It is the museum’s oldest book, says Executive Director Jason Sohigian, and survived the looting and destruction of other texts, art, cultural objects, and whole villages. The museum’s collection of more than 25,000 objects elucidates some 3,000 years of Armenian history and culture, from the early days of Christianity to the contemporary global diaspora. 

More contemporary are the museum’s famous portraits by Yousuf Karsh, underground works from the Soviet era and, surprisingly, a handful of oil paintings by the American pathologist, and pioneering right-to-die with dignity proponent, Jack Kevorkian, whose mother escaped the Genocide.

“Many of the objects in our collection and on display are survivors of history,” says Sohigian. “Armenians have inhabited those lands for thousands of years, and our cultural heritage has been under threat especially in recent centuries. Our museum is unique in that it preserves and displays many of these artifacts that tell the story of Armenian resilience, creativity, culture, and survival.”

Click here to read the full article:

https://www.harvardmagazine.com/2022/01/h2-armenian-culture

Armenian Museum of America Launches Matching Membership Challenge for 50th Anniversary

ama-web-membership-six-v1.jpg

Dear Friend,

Greetings from the Armenian Museum of America!

As we celebrate our 50th Anniversary, please join us in toasting the vision and perseverance of our founders who built and stewarded the largest collections of Armenian artifacts in the Diaspora.

The challenges we have all faced during the pandemic have shown that we are resilient. Our dedicated team of professionals at the Museum have been updating our galleries with objects from our collection in anticipation of the day when we would be able to welcome you back. That day has finally come, and we could not be more thrilled!

One of our goals in celebrating this milestone is to dramatically increase the Museum’s membership. We are reaching out to members, donors, visitors, and friends of the Museum to participate in this membership drive.

As a special incentive, and in honor of this special anniversary year, a donor has generously offered to match the sum of all new and renewed memberships made throughout 2021. We hope you will join this exciting matching membership challenge!

Membership offers a range of benefits (click here for details) and allows us to continue our mission to preserve, protect, and share our collection and cultural programs with people around the world.

We reopened in June with revamped galleries including the “art, culture, eternity” exhibition on our first floor and new contemporary art exhibits on our third floor. We look forward to welcoming you back and hope you will remain engaged with our online programs including concerts, monthly exhibitions, digitized music from our record collection, and weekly Show and Tell videos with our curator!

We hope you will become a part of the Armenian Museum family (click here to join). 

Our Mission is more important now than ever, especially as Armenians are facing ethnic cleansing and cultural erasure in Artsakh. Your membership today will support the preservation of Armenian heritage and culture in perpetuity.

Respectfully yours,

Jason Sohigian
Executive Director