Current Exhibitions

For viewers around the world, Yousuf Karsh defined the photographic portrait in the twentieth century. Specializing in the creation of iconic images of the world’s leading figures—statesmen, writers, actors, artists, musicians, and scientists—Karsh made images that resonated deeply with his audience.

Armenians are an ancient people, with a rich complex history and culture spanning 3,000 years. In 1971, community leaders founded the Armenian Museum of America in Watertown. Today Watertown is the “Little Armenia” for generations of Armenian-Americans.

As a child, Marsha Nouritza Odabashian absorbed her grandmother's experience of the Genocide. By applying traditional Armenian onion skin dyes to textured paper, she reveals the hidden bruises and marks that lie within. Her surface drawings trace a more deliberate narrative connecting personal experience to historical record. The finished pieces serve as visual recovery rooted in the creative desire to challenge the darker impulses of human nature and history.

April 24–June 24, 2018
Exhibition extended through June 24.

Although Armenians are famed for their beautiful religious art: church architecture, illuminated manuscripts and intricate khatchkars (stone crosses), the most common form of artistic expression was through their textiles, a far more ephemeral medium. From time immemorial, Armenian women have created and ornamented clothing and created works that delighted the eye of the wearer and viewer. A bride’s worth and reputation was judged by her hand skills.

Metal objects in Syria and throughout the Middle East had important and widespread use; cooking was done in metal vessels, the hands of guests were washed in metal ewers, the literate used metal inkwells, wealthy women used metal toiletries such as metal-back mirrors and cosmetic containers. These metal works were noted for their function, inventiveness of form, and fineness of surface treatment. Because Muslim tradition was disinclined to trade, many of the more creative copper pieces of the Ottoman period were made by Armenians, as revealed by their interesting inscriptions that often mixed with Green and Christian crosses.

The exhibit is a stunning visual narrative of the events of the 1915-1923 Genocide, and the continuing aftermath and denial by the Turkish government over generations. The visitor will find a chronological narrative of the tragic events leading up to World War 1, the years of Genocide (1915-1923), and the continued denial to the present.

This show presents the first “harvest” of works that our young artists made during the Summer Studio classes here at the Armenian Museum this past July. Under the guidance of our Artist-in-Residence Arevik Tserunyan, students were encouraged to express their creativity by exploring the collection of Armenian art in the galleries and by using unique Armenian painting materials and techniques. 

Exhibitions and programming made possible in part by a Cummings Foundation Sustaining Grant.