Gandzaran/Treasury Exhibition Puts Spotlight on Art Collection

Martin Barooshian (1929-2022), “Gomidas Vartabed 4/50,” c. 1970-1979, signed color intaglio etching, 24x22, donated by Haig Der Manuelian.

The Armenian Museum of America in Watertown has recently opened its latest exhibition in the Adele and Haig Der Manuelian Galleries, “Gandzaran! Notable Selections from Our Collection.” The show is curated by Ryann Casey, and co-curated by Gary Lind-Sinanian and Elias Trout. 

“Gandzaran!” showcases 39 works by 24 artists from around the world. It is scheduled to run through August 4, 2024.

In recent centuries, Armenian fine art often focused on illuminations, reliquaries, and other pious objects, the most significant of which were secured and hidden in the gandzaran (գանձարան), or treasury, of a monastery. These treasure vaults were designed to protect religious works, which would be displayed periodically for the faithful, then returned to the vaults to be preserved for the ages.

“Drawing from the vaults of the Museum here in Boston, its own gandzaran of sorts, this exhibit highlights the development of Armenian art in the 20th and 21st centuries, from religious motifs to the Soviet period and its continuous reinterpretation among contemporary artists around the world,” says Curator Ryann Casey.

“It’s a show full of diversity that demonstrates the breadth of history in Armenia and the Diaspora, featuring paintings, etchings, and sculpture,” adds Ms. Casey. Some of the artists include Minas Avetisyan, Maria Manukyan Batlle, Jean Carzou, Edgar Chahine, Felix Eghiazarian, Charles Garabedian, Sarkis Hamalbashian, Jean Jansem, Kevork Mourad, Reuben Nakian, Naomi Pridjian, and Hovsep Pushman.

The show opened with a preview for Museum members on March 22. It was attended by more than 100 people including Museum Trustee Hapet Berberian, the family of the late Martin Barooshian, and the curator of his Trust, Michael J. Russo. Mr. Barooshian is an American-Armenian surrealist featured in the exhibition with two incredible etchings, including one of Gomidas Vartabed.

Executive Director Jason Sohigian noted at the opening, “We hope this exhibition gives visitors a glimpse of the range and complexity of our modern and contemporary art collection.” He went on to thank the artists who created these works, the donors who have gifted these pieces to the collection, and the people who support the Museum’s mission as members.

A section of the show reflects on collecting art. The first acquisitions outside of historic art in the collection of the Armenian Museum of America were primarily paintings donated by the founders, members, and artists. With a growing reputation, the Museum gradually attracted the attention of art collectors, establishing itself as a hub of Armenian cultural production and as a contributor to the wider arts community. “Armenian art is a living tradition--it is the Museum’s duty to embrace that dynamism as we acquire new works,” concludes Sohigian. “Our collections now include emerging artists alongside nationally and internationally renowned Armenian artists, representing a wide array of mediums, movements, and eras.”

The curator of the exhibition is Ryann Casey, a New Jersey based artist and educator. She holds a BA in Photography from Stockton University and an MFA/MS in Photography and Art History from Pratt Institute. She currently works as the Exhibition Coordinator at the Stockton University Gallery and is an adjunct Professor of Photography, Art History and Critical Theory.

The Armenian Museum of America is located at 65 Main Street, Watertown, MA. Its three floors of gallery space are open from Thursday to Sunday from 12:00 to 6:00.

Armenian Manuscript-Inspired Notebook with Slipcase

Armenian binding, deeply rooted in history, is a testimony to craftsmanship and artistry, reflected not only in the contents but also in its leather cover, binding method and typical Armenian endband.

Armenian binding has a rich history that harks back to ancient times. Manuscripts were not only meticulously transcribed but also bound in a manner that combined beauty and durability. These manuscripts often featured intricately illustrated leather covers and were adorned with typical Armenian endbands, a distinctive feature of Armenian bookbinding. This notebook pays homage to this rich and sacred Armenian manuscript heritage. Its handcrafted design embraces the essence of Armenian binding, with a leather cover reminiscent of those ancient manuscripts and a typical Armenian endband that graces the spine. It's a unique fusion of history and modern utility, providing both a canvas for your thoughts and a piece of art to cherish. 

Your order supports our Mission and serves as a valuable contribution to the preservation of the rich Armenian bookbinding tradition. By choosing our manuscript-inspired notebook, you play a crucial role in revitalizing a nearly lost art form, enabling our bindery to breathe new life into this cherished heritage. We trust that this notebook will be a source of inspiration for your creative journey. Click here to view in gift shop.

  • Each notebook is approximately 5x7 inches and is 78 pages in length.

  • These books are made entirely by hand, including the paper and slipcase! Each book takes about 4 days to produce, including at least 10 hours of work by hand.

  • Since these books are 100% handmade, they show some imperfections that are not typical of a machine-made book.

  • We are the exclusive distributor of La Foglia manuscript-inspired books in the USA.

  • Shipping is within the USA only (please contact us if you are interested in international orders).

Digital Archive of Armenian Music Now Accessible via Armenian Museum of America Website

78 rpm records from the collection of the Armenian Museum of America are being digitized, restored, and shared on its website under the Virtual Resources tab (photo by Jonathan Lizcano)

By Jesse Kenas Collins

Over the past year, the Armenian Museum of America’s Sound Archive program has taken a giant step forward. Each month, the Museum posts a handful of songs digitized and restored from its collection of 78 rpm records on its website along with a historical writeup about the artists.

Along with more conventional musical recordings, some of the recordings touch on Armenian cultural, political, and educational history, as well as the history of recording technologies. The program is sponsored by a generous grant from the SJS Charitable Trust.

The Museum hosted musicologist Ian Nagoski to its galleries to weave the story of the influential but largely forgotten soprano Zabelle Panosian, who was born in Bardizag and emigrated to Boston in 1907. Ian’s talk drew from his recently published book “Zabelle Pansoian: I Am Servant of Your Voice,” co-authored with Harout Arakelian and Harry Kezelian.

In November, the Museum welcomed the world-renowned composer and musician Ara Dinkjian. Speaking to a packed house, Ara discussed the early history of some of the first recordings of Armenian music through the 1940's. The presentation built on Ara's book and CD compilation “Armenians in America on 78 rpm.”

“As we approach our fourth year presenting the Sound Archive at the Armenian Museum of America, we are proud to make this content available to people around the world,” says Executive Director Jason Sohigian. “For half a century now, the Museum’s collection of 78 rpm records has grown thanks to generous donors who have been entrusting us with their personal collections.”

“This music was almost lost to history at least twice in the past 100 years alone,” adds Sohigian. “First as a result of the Armenian Genocide, and then when audio technology has changed from records to other media in the 21st century. The Museum is now at the forefront of preserving and sharing these treasured archives of Armenian history and culture.”

The Sound Archive explores the Museum's extensive collection of recordings including some that serve as more than entertainment, anchored by a series of articles about moments of cultural and political history. In one segment, listeners can eavesdrop on a party at the home of the writer Hamasdegh (Hampartzoum Gelenian) on the night of June 10, 1939. The commemorative disc opens with an introduction by none other than William Saroyan.

A second article covers an NBC San Francisco radio broadcast from June 24, 1945, highlighting the Armenian National Chorus as well as advocacy work about the Armenian Question from celebrity chef George Mardikian and attorney Souren Saroyan of the Armenian National Committee.

Most of the posts focus on the most influential Armenian artists recording during the 78 rpm era. The Museum highlighted two post-war music icons, The Gomidas Band, a group at the frontier of kef style, and Guy Chookoorian, an artist and musical comic with a character and approach all his own.

Writing, research, and audio digitization is undertaken by this author along with Harout Arakelian and Harry Kezelian. To explore the archive of digitized recordings and articles dating back to 2021, please visit: www.armenianmuseum.org/sound-archive.

About the author: Jesse Kenas Collins is a digitization specialist responsible for the transfer of analog recordings to digital files for the Armenian Museum of America. Jesse is a museum professional and music preservationist with more than a decade of experience working in collections care, exhibitions production, and audio digitization. Jesse's preservation work and research into the music of the Middle East extends into his work with the restoration of historical musical instruments.

Member Event Mixes Art, Philanthropy & Community in Our Galleries

Our second annual Members Reception and Christmas Gallery Stroll was a huge success with more than 125 members in attendance. It was a lively evening of networking, enjoying art, and supporting our compatriots in Armenia who were displaced from Artsakh.

Guests enjoyed Armenian and Christmas songs performed by pianist Levon Hovsepian and were welcomed by remarks from Museum President Michele Kolligian and Executive Director Jason Sohigian. A number of Museum Trustees were in attendance along with artist Ara Oshagan, so members had an opportunity to meet him and discuss his “Disrupted, Borders” installation in the Adele and Haig Der Manuelian Galleries.

Last month we announced a fundraising drive which was offered to everyone in attendance and is still available online (click here). 100% of proceeds from the purchase of the new line of Michael Aram ornaments in our Gift Shop will go towards humanitarian relief for the Armenians of Artsakh. Dozens of ornaments have been sold and the charity will be selected by our Board of Trustees in the coming weeks.

We’re Sharing Armenia’s History & Culture With the World

We wish to express our sincere gratitude to you for helping us with our mission of sharing Armenia’s history and culture with the world. When the ethnic cleansing and cultural erasure of Armenians began again in 2020, we redoubled our commitment by presenting even more in our galleries and online.

Our galleries and our digital content are both educational and thought provoking. Many of the themes are universal and can be appreciated by visitors from all corners of the world. Here are just a few examples:

  • Contemporary Art

  • Textiles & Rugs

  • Ancient & Medieval History

  • Illuminated Manuscripts

  • Genocide & Human Rights

  • Folk Music

  • The History of Christianity

People are responding positively to our exhibitions that highlight our history, Artsakh and human rights, and our artistic and spiritual contribution to world civilization. Our role in the community is more important now than ever.

Please consider a donation to the Armenian Museum of America today, so you can be a part of this national success story. Thank you and Merry Christmas!

Above image: This image depicting the Nativity Scene, shepherds and the Magi worshipping is from a priceless Hymnal in our collection completed in the year 1488. Our illuminated manuscripts, including this one, are currently being restored by experts from the Mesrop Mashtots Institute of Ancient Manuscripts (Matenadaran) as part of Bank of America’s 2023 Art Conservation Project. Gift of Robert and Gail Bedoukian.